En route to work on a bone-crunchingly
cold morning, I wanted a jolt on top of what my chai would give me. So, I turned the volume up to a level just
below one that would attract nasty glances from fellow drivers. Also, I
wanted my eardrums to be functional enough to accommodate hi-hats and drums. As I flipped through my collection, I had a very,
very serious choice to make. Was it
going to be the Mozart of Madras or the King of Pannaipuram? (Please don’t get all serious on me and tell
me helpfully that this little panchayat town in Theni never had a royal family.) I decided to have the aroma of my chai blend
in with a whiff of nostalgia. I chose to
go with the King. And before I could think
too much, I came up with a list of percussion-heavy numbers where the king made
his loyal vassals tap their feet even if they had three left-feet!
Here is a list of 10 of my picks in
no particular order. I will keep my
descriptions to a minimum since words aren’t the point of this piece!
Kombula Poova Suthi from Virumandi
One of the liveliest songs in a Jallikattu setting, this fast-paced number
has some scintillating beats. Kamal’s
spirited rendition is the moar molaga
on the koozhu! (Icing on the cake just felt wrong, sorry!)
Aiyya Oodu from Kaathaluku Mariyadhai
Manivannan was such a popular
artiste in 1997 that he got an ‘introduction song’ in a film where the hero didn’t
have one! Ilayaraja’s joyous singing leavens
some of the heavy-duty philosophical lines. (“Kannukettum thooram thooram…manusanathan
kaanum kaanum” is my favorite of Pazhani Bharathi’s lines.)
The title song of Vikram
The film released 34 years ago when computers and synthesizers
in Tamil film music were as rare as realistic make-up. The typewriter keys clacking and seguing seamlessly into the beats is an absolutely magical start to this irresistibly
catchy number.
Podhuvaga En Manasu from Murattu
KaaLai
It is widely agreed that Murattu KaaLai was the film that heralded superstardom for
Rajnikanth even though he had been christened “Super Star” two years before
this movie (in “Bairavi”). This song,
rendered with incredible vitality by Malaysia Vasudevan, is a fitting anthem signaling
the birth of the super star.
Ooru vittu ooru vandhu…
from Karagattakaran
Comedian Coundamani and company have a ball, thanks to
Ilayaraja! It is rather amusing to see the
comedians dance while the hero – that master thespian and costume connoisseur
Ramarajan – walks beside them!
Raja Rajathi Rajan Indha Raja… from Agni Natchathiram
Need I add anything to the first words of this song!
Das Das Chinapadas… from Kadalora
KavithaigaL
The Ilayaraja – Bharathiraja combination resulted in many
unforgettable chartbusters. This film was
the last of their collaborations before their split. (They would reunite 4
years later for En uyir thozhan.) This song, set in a seaside milieu, features some rather modern beats that somehow don’t feel out of place.
Poo malarndhida… from Tik
Tik Tik
The mirudangam is
one of my favorite percussion instruments.
My bias comes from the fact that I tried my hand at it for several years. It took me a decade to realize two things – 1.
music was the only part of my life where I was a good listener. (I actually
feel bad for my family and friends, truly, deeply, sincerely!) 2. The sounds of mirudangam
that I heard when others played seemed like noise when I did. And when I listen to this marvelous fusion piece, I realize that I am better off listening a
little more…at least in but not restricted to music!
Nenachu Nenachu… from Sethu
This is not a full-fledged song. But this minute-long snippet is a mesmerizing
expression of ecstasy. (The visceral
impact of the violent act at the end of this song has the same gut-wrenching
impact now as it had on me 20 years ago when the film was released.)
Stereophonic Sannata… from Shamitabh
Aasaiya kaathula... from 1980 getting a facelift in a Hindi
film in 2015 where Amitabh Bachchan was the ‘voice’ of Dhanush. Can improbability be taken to a higher
level? Yes. The song turned out to be a terrific, foot-tapping
number!
1 comment:
Loved the write-up. I am actually reading this with my evening chai. I can almost see you on your way to work on a cold morning in your car with your chai listening to Raja music. I listened to your recommendations. My favs are “ Raja ..Rajadi rajen indha Raja”, “Sannata”, “kombula poovai suthi” from your list. I would also add “Mohan Ennum” from Sindhu Bhairavi. I thought it was a great rendition and it also brought out the emotions of the protagonist very well.
I really admire Raja for always creating music that stays true to the essence of the scene. I feel he does that naturally without compromising on the quality of music. Indeed that’s a genius as I don’t see that with ARR or Anirudh or many others. Raja ROCKS!!!! Great write-up!!!!
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